Don't mess with Texas
Paisley. 4pm. The rough end. This car was a bit unexpected. What was more alarming was the man standing in the door of the nearby pub shouting at me, 'Why are you photographing that car?'
A quick wave and a sharp exit. I wasn't convinced he'd understand my explanation.
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- Panasonic DMC-LX3
- 1/100
- f/2.8
- 13mm
- 400
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