8.2: where it kicks in

I couldn't think of just one so: the bit where the overdubbed electrics come in in both ears after the first verse on Stairway, the first gliss down after the staccato E in Good Times, Bad Times, the start of the chorus in Thick as a brick, the "felt like an actor" bit in Five Years, the chorus when the distortion comes in in Rhinoceros, "where it takes meeeee" in Release, "and I listen" in State of Love and Trust, "and I heard it in the wind" in 4th of July, the start of the second chorus of Morning Afterglow, the first little trill in Bourrée I/II (3rd suite), the bit just after "not so bad, they say" in Love Rears its Ugly Head, the first little trumpety bit in the Kill Bill Theme, "I think last night" in Your Ghost, the first d-dum.. dum.. DUMmmm in Angel, the bit where the synth vibraphones appear in Axel F, the first of the last "in your eyes" in Make No Sound, the start of the second chorus in Get Myself Arrested, "I don't care..." in Alive (Drugstore version), the wee bit after the chorus in the PJ version, the mental loud high vibrato bit in Lady Marmalade, the suspended bit just before the second guitar comes in in Sunshower, the first low chords after the poppy intro to She Drives Me Crazy, the "gooood look" on Tears of a Clown, the middle of the first verse of Far, the first chorus of She Said, the "emotion or reason" harmony in Things I've Seen, the first bit of the bassline in Good Vibrations, the entirity of but especially the harmonies in Fanfare for the Common Man, the second round of Boléro, the Pumpkinesque octaves bit in Stay Young, the first note of the chorus of Pain Killer, the first "and she shines" in Alive Alone, the first "Siiiilveeeer fish" of Silverfish, the first "...anymore..." in Untogether, "just can't let things go" in Time for the Rest of Your Life, the first descent after the drums start on Live to Tell, the first "disillusionment" where the voice starts on Thank U, the start of the solo in Jigsaw, that little wriggling synth phrase in Stripsearch, the first bass piano thud in Building Steam with a Grain of Salt, "of the time" in Blower's Daughter, the first vocal line in Nutshell, the first chord of the chorus in Live and Let Die, the fifth (slightly bendy) chord in The Bends, "now you think that I" in Should've Known Better, the first choral bit in L'amour est un oiseau rebelle, the first "dream of me" in Dream a Little Dream...

...and brown paper packages tied up with string.